In Cosmovision, Lara Baladi breaks down photography’s cadre into a discursive unfurling of her becoming from 1996 to 2011, autobiographically performing the logic of the white cube. Shown at Tintera,…
Shafik’s life resists simple categorization
Hana Elhaddad considers the effectiveness of the retrospective's curatorial framing
Quiet Dwellings was first and foremost an invitation to meditate on death and dreaming
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