This episode of Avant-titre is part of Mada Masr's Bread politics, an eight-part series that takes an in-depth look at bread subsidies in Egypt in the context of recent talk…
Carol explains why allowing the voices of others to be heard helps to make the world a better place
Over decades of collecting, Makram Salama has turned his home into a cinema archive.
The tables have turned and now we are in complete control of the film library.
The documentary film Azziara (The Visit, 2015), by Marouan Omara and Nadia Mounier in collaboration with Islam Kamal, was prevented from screening…
The Dubai Film Festival has pulled out of screening the world premiere of the Egyptian movie The Unknown Sweet Potato Seller (Ba’a’…
Panorama helps show why films matter in a time of crisis.
Left desolate by an ultra-violent thriller on the day Trump won, but uplifted by a Rossellini masterpiece.
This year Panorama's young team seem to be doing a good job with audience management.
We saw two movies yesterday at Panorama. Freak Orlando, a rarely screened 1981 experimental fantasy film by German feminist filmmaker Ulrike Ottinger,…
«I’ve never met filmmaker Mohamed Diab and I’ve not watched his new film Ishtibak (Clash, 2016), but I’ve read about it like everyone else. And I did see…»
«Egypt’s Contemporary Pharaohs sets out to discover why Egypt's recent rulers have appeared to change so dramatically after coming to power.»
«The Egyptian difference yielded a cinema in the 1950s and 1960s that was more daring, more complex, and more progressive than most Hollywood cinema of the…»
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