On the swift un-banning of Karma, and the popular notion of the ‘dissident artist’
The un-banning of Khaled Youssef's latest film has raised questions
The un-banning of Khaled Youssef's latest film has raised questions
How the Egyptian drama industry lost its hard-earned artistic and economic gains in Ramadan 2018
A review of Malak Yacout’s Dialogue with 10 Nabrawy
After operating in an annex for two years following a partial building collapse among other calamities, Townhouse is back to where it was
Conversations from this year’s Spring Sessions
Director Khaled Youssef thanks 'sovereign entities'
Reflections on the works of Egyptian artists in the 2018 Dakar Biennale
Where does the real Upper Egypt stand from the TV dramas penned by Amer and those who came after?
Yomeddine brings the road movie genre to vibrant yet marginalized parts of the country
Mada Masr's recommendations of what to watch and what to drop during the Ramadan 2018 TV season
This is the fourth episode of the second season of Andeel’s series Big Brother
Ahmed Abu al-Fadl and Maged Nader explore how the long take has been used in Egyptian cinema
This is the third episode of the second season of Andeel's series Big Brother
An introduction to Mada Masr's new series on archiving and working with archives
Raafat al-Mihi’s third feature combines symbolism with an unflinching awareness of reality
The second episode of the second season of Andeel's series Big Brother
3 Lebanese documentaries re-construct the past to ask questions about identity and the civil war
Two takes on Mohamed Zedan’s debut documentary “I Have a Picture”
On the implications sound travel may have on privacy, surveillance and human rights violations
Mada Masr's culture team takes a look at this year's Cairo Cinema Days lineup
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