Rifky considers the complex dynamics of ownership and provenance in Egypt’s contemporary art scene.
Mario. The Exhibitionist — the art journal, not a naked person flashing — once asked me to contribute an essay to their “Curator’s Favorites” series. I decided to write about…
“So much of what the culture scene is today was built through the efforts of people like her.”
Mostafa Mohie reviews artist Salma El Tarzi's latest work, "An Attempt to Remember My Face"
«We are left with two choices: to withdraw entirely or to talk about trees. How do we create a third?»
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