Video | Avant-titre: A present from the past… why?
Ahmed Abo El Fadl takes us on a journey into personal cinema
Ahmed Abo El Fadl takes us on a journey into personal cinema
Home-production, "horror stories of human interaction" and wordplay: Walid Elsawi's VDU Art
“At the beginning, it was just a slogan … Now, we are really mapping possibilities”
EXT. Night is an honest portrayal of a struggling city with insightful commentary on class dynamics
Art which seeks to evade an established historical narrative without looking elsewhere: The Berlin Biennale
This could've been it: a very feasible ending for Zawya. But it's not. It's a new beginning
Sara ElKamel speaks with Townhouse's Mariam al-Nozahy about the gallery’s 20-year retrospective
Ismail Fayed reflects on Festival Theaterformen’s Africa-focused program in Brunswick, Germany
A look at the DIY platform attempting to reshape Cairo’s club scene
An Iraqi food writer unearths and translates a manuscript on Egyptian medieval cooking
A reflection on the 2016 “Mada Encounters” seminar on history and culture
Is his style ingenious, or has it become redundant?
On 3 recent solo exhibitions of Wael Shawky’s work in Germany, Denmark and Italy
Conversations from this year’s Spring Sessions
Sherif Abdel Samad looks at the new Arabic translation of Golo’s and Albert Cossery’s Proud Beggars
A decree issued last week imposes severe restrictions on the organization of art events in Egypt
Ismail Fayed explores Henry Barakat’s adaptation of Latifa al-Zayat’s 'The Open Door'
Conversations from this year’s Spring Sessions
Ahmed Abu al-Fadl gives 5 reasons why he thinks No Retreat, No Surrender is the best Egyptian parody
An interview with American War’s Omar El Akkad
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