Recently, I finally got to see Payal Kapadia’s All We Imagine as Light (2024), winner of the Cannes Grand Prix. I was lucky to experience it in a theater and…
Faten Hamama gives a rare, realistic portrayal of the frustration experienced by women in Egypt
#31: Without the drama, though — both on-screen and in all our lives — what's left to explore?
Alright, so we’re in isolation. What are we supposed to do now?
We're nearing the end of the Panorama. It's getting quieter, with fewer people appearing even for the evening and night screenings. I…
Can images offer us ruptures from the past that free us from the past traumas and allow us to reclaim our future?
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