An overambitious literary seminar of existential proportions
Remembering it feels like remembering a happening that took place in a moment that was uncounted and ahistorical, almost like its own treatment of the literary experiences it discussed.
Remembering it feels like remembering a happening that took place in a moment that was uncounted and ahistorical, almost like its own treatment of the literary experiences it discussed.
This seminar asks whether writing and language, like authors, are subject to economic forces and transformations to their subjectivity and psychology.
There is an implied admission of a sick, hysterical relationship between authors and readers living in a country that is going through excellently trite and tacky times, with all the…
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