Revisiting images, reconstructing meaning
From Berlin, Jasmina Metwaly’s “We Are Not Worried in the Least”
From Berlin, Jasmina Metwaly’s “We Are Not Worried in the Least”
Perhaps this trend reveals that what seemed to us right from the beginning as immediately cinematic – the big spectacle – is actually not what makes good cinema.
Out on the Street manages to dodge the terrible fate of poor political art that compensates for its lack of anything exciting with a righteous self-image.
The poor image maintains its vitality through mobility. Not waiting to be seen, as conventionally exhibited artworks do, but streaking past as many eyeballs as possible as it transits digital…
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