Conversation with Farid Eslam, Maii Waleed and Zeid Hamdan: Yallah! Underground
On trying to change perceptions and create a musical archive
On trying to change perceptions and create a musical archive
In a bid to attract international film producers to Egypt, the Antiquities Ministry has significantly lowered its prices for filming licenses at archaeological and historical locations. But with censorship and…
Pearls, psychoanalysis and pre-oil nostalgia
I was inspired by Nasser’s enthusiasm for 12 Angry Men to suggest a short list of films for President Sisi that might also change his view of political life.
The eclectic director talks to Rowan El Shimi about being an unsyndicated filmmaker, and why television is where you can afford to think big.
Check out our culture tips for this week in #Egypt, alongside ongoing events including the 14th Alexandria Summer Festival.
The legacy of Mohamed Khan started with Sunstroke.
Trying to humanize the police here is like trying to humanize the earthquake or sharks in a Hollywood thriller, especially if “humanity” is reduced to the ability to show compassion…
Aleppo’s Tragedies: The Betrayed Revolution and the Messages of the Besieged looks at daily life over the past five years in Aleppo through witness testimonies, stories, letters and diaries. In…
The comedic element here is the action, not the protagonist or the spoken jokes
Shams al-Maghib have created a model of working together that can endure through its flexibility, and is defined by its spread as opposed to its build.
"Not even just in work, look at couples, relationships, everything — If you have no chemistry, you have no success."
A much-needed new book challenges European maritime history scholarship
Historical fiction, if well-researched, offers readers a more personal and multilayered approach to history, contends Sherif Abdel Samad.
This is primarily a good week for music and theater, but there’s also a seductive food event in Cairo.
Andeel writes that the sadness of Egyptian reality defined the cinema of a director who indulged in the sensations of life.
Mahatat's City Shadows exhibition in Port Said was a good start to a pioneering project centered around a forthcoming DIY toolkit for artists.
Mohamed Shawky Hassan analyzes the complexities of representation and reality in Egypt's Ramadan TV.
A list of pieces from our archives devoted to the work of Mohamed Khan.
Clash is deeply moving and deeply horrific. It captures this pivotal moment in Egyptian history.
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