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The world of Nadine Labaki’s Oscar-nominated Capernaum (2018) feels a little bit too chaotic
I want to question the approach that treats the 1919 revolution as a single narrative, condensing it
In December 2016, an Instagram account appeared under the name “nasa4nasa.” Its first post was a flickering, GIF-like slow-motion video capturing a smiling duo holding matching table tennis rackets, a…
2018 was a prolific year for Arab cinema, as evident from the line-up of this year’s Cairo Cinema Days. The third edition of the Zawya-organized event (the first to be…
An interview with Ziad Fahmy
Turuq al-Rab is remarkable for its unprecedented exploration of the life of its Coptic protagonist
On the recently issued reproduction of Ibrahim El-Salahi’s Prison Notebook
Bassam Mortada’s recollection of his early initiation into the unique world of Osama Fawzi’s films
Bryony Dunne spotlights the establishment’s layered history in Istanbul show
A conversation about Egyptian artist Bassem Yousri's film about a Danish hermit
Vocal artist Dalia Younis often asks herself, “When is the last time you did something brand new?”
Marouan Omara and Johanna Domke's doc offers strong commentary on desperate youth in an arid market
On Waguih Ghali's birthday, a talk with Zainab Magdy about the writer and his life
The text is a three-part essay by Ahmed Shehab Eddine entitled “On Sufism and Hallucinogenic Drugs”
Excerpts from an introduction to Harun Farocki’s oeuvre in relation to Egypt and the Arab region
Instead of the outside world of Cairo, we’re seeing the inside world of Huda.
Six stories about love and loss against the backdrop of a failed revolution
On the 108th birthday of visionary Egyptian architect Sayed Karim, we publish a conversation on Karim’s legacy: his philosophy, his aesthetic, and the political context in which he worked.
I was curious to see what would change after the book fair was moved to a new, more remote location
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