Roznama 8: Art at the end of the world
What would art right at the moment when our very survival is suspect, look like?
Ismail Fayed is an independent writer and researcher, based in Cairo. He has been writing on contemporary artistic practices since 2007.
What would art right at the moment when our very survival is suspect, look like?
Faten Hamama gives a rare, realistic portrayal of the frustration experienced by women in Egypt
Ismail Fayed reviews Ahmed Fawzi Saleh’s debut feature film, Poisonous Roses
Imane Ibrahim’s show at Townhouse
Art which seeks to evade an established historical narrative without looking elsewhere: The Berlin Biennale
«Challenging capitalist notions of success and failure, Ismail Fayed explores love as resistance.»
«Each roundtable brings together feminist activists, intellectuals, academics, lawyers and more.»
«a utopia free of any Western influence only exists in the delusions of some postcolonial academics»
«What the apocalypse and the uprisings across the Arab world teach us, is that we are not alone»
«The term "hishik bishik" is an Egyptian expression to denote cabaret-like performance, especially one perceived to be licentious or obscene.»
«I’d like to make a few notes on belly-dance beyond the moral debate around justifying it as a non-sexual act or glorifying it as a true…»