#WAYDO marks an interesting moment of collaboration between two types of institution and it stages a little party of works that otherwise wouldn’t necessarily meet.
I have no issue with cryptic works, if there’s enough to tantalize a committed viewer, says Mia Jankowicz about Wael Shawky's Al Araba Al Madfuna.
In 2013, participants in the independent art study program MASS Alexandria faced an uncertain finale to their seven months together.
«Editor’s note: We found it hard to solicit pieces commemorating the January 25 revolution, mainly because we seem to have hit a certain boundary in revolutionary…»
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