Egypt’s Cinematic Gems: Love’s Last Story
Raafat al-Mihi’s third feature combines symbolism with an unflinching awareness of reality
Raafat al-Mihi’s third feature combines symbolism with an unflinching awareness of reality
Ahmed Refaat looks back at the constellation of three alternative film practices that emerged in the post-defeat milieu of 1967, writing that, if we now claim to be looking for…
The first time Ahmed thinks of his marriage is when he comes home to find his wife has turned into a man
This seemingly allegorical story of thugs and love in a small, isolated community is an understated masterpiece
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