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Mahatat's City Shadows exhibition in Port Said was a good start to a pioneering project centered around a forthcoming DIY toolkit for artists.
After months of denial, officials announce Egypt is seeking a loan from the IMF, but at what cost?
Are shark sightings the latest in conspiracy theories propagated by #Egypt's local media?
Mohamed Shawky Hassan analyzes the complexities of representation and reality in Egypt's Ramadan TV.
A list of pieces from our archives devoted to the work of Mohamed Khan.
Clash is deeply moving and deeply horrific. It captures this pivotal moment in Egyptian history.
Al-Azhar says that directive to follow ministry sermons does not apply to its preachers
What has presumed Democratic Party presidential candidate Hillary Clinton's running mate US Senator Tim Kaine said about Egypt?
The end of July isn't the busiest time for the arts in Egypt, but there's enough going on to recommend three concerts and an exhibition.
A long-lost relative, a demonic inheritance and nine exotic flowers trigger a fatal and greedy drive for vengeance in a rich Cairene family.
Sara Ahmed Abdel Aziz compares the comics scene in Columbia in Egypt, and discusses why all comic-making is political.
What's in Egypt's new value added tax, and how will it affect consumers? We tackle your questions about VAT.
Egypt’s Ministry of Finance has released a breakdown of revenue and spending in the budget for the 2016/17 fiscal year.
Naira Antoun takes the occasion of the Ramadan series "Soqoot Horr" (Free Fall to reflect on the portrayal and understanding of mental health.
As mainstream media depends on military press releases to report on Sinai, locals try to build a different narrative
By sexing up a Naguib Mahfouz novel, the makers of this Ramadan's "Afrah al-Qobba" distort its evocative appeal.
Heba Afify expected that “The Caesar" would bring much-needed nuance to the representation of terrorism in Sinai.
This is a great few days for decentralized cultural production and consumption, thanks largely to two exciting events from Mahatat.
Despite talk about the centrality of the peace process, the meeting was less about Palestine and more about Israeli and Egyptian interests.
Why are so many owners of historic buildings in Egypt eager to let their buildings fall? Rowan El Shimi investigates.
